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t. e. A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1] The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features ...
The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. [1] The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to ...
Approx. 4:50. " Ave Maria ... virgo serena " is a motet composed by Josquin des Prez. It is regarded as Josquin's most famous motet and one of the most famous pieces of the 15th century. The piece rose to extreme popularity in the 16th century, even appearing at the head of the first volume of motets ever printed.
Loyset Compère. Manuscript of Omnium bonorum plena, a motet by Compère, and possibly his earliest surviving work; the exact date is uncertain, but it was possibly written for the dedication of Cambrai Cathedral on 2 July 1472. Loyset Compère ( c. 1445 – 16 August 1518) was a Franco-Flemish composer of the Renaissance.
Palle (Italian for "balls") is a reference to the coat-of arms of the Medici family, his employers at the time. Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish composer of south Netherlandish origin during the Renaissance era. He wrote masses, motets, songs (in French, German and Italian), and instrumental music.
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
A color of 28 pitches is arranged with a talea of four durations which repeats seven times (28 ÷ 4 = 7). Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of ...
Vasilissa ergo gaude ("Therefore rejoice, princess") is an isorhythmic motet by the Renaissance composer Guillaume Dufay.In terms of its subject matter, it is sometimes grouped together with Lamentatio sanctae matris ecclesiae Constantinopolitanae, Apostolus gloriosus and Balsamus et munda cera which are generically called Dufay's Byzantine motets. [1]