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Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space.
Complex in form and ornate with sculpture, the baldacchino serves as a great example of the Baroque ‘style’, massive and ornate, glorifying the church and the Catholic religion. This space is an example of quadratura, an attempt to create an illusion through architecture, painting, and sculpture. Painting and sculpture create an illusion of ...
Italian art during the 17th century was predominantly Baroque in essence. 17th-century Italian Baroque art was similar in style and subject matter to that during the same period in Spain - characterised by rich, dark colours, and often religious themes relating notably to martyrdom, and also the presence of several still lifes.
17th; 18th; 19th; 20th; 21st; 22nd; Pages in category "17th-century Italian sculptors" The following 122 pages are in this category, out of 122 total. ...
Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625. It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works.
Italian Baroque Sculpture. pp. 164– 66, 188– 89. Gli Ultimi Medici , Review by Peter Cannon-Brookes, in The Burlington Magazine , 1974, p 777-80. Authority control databases
Camillo Mariani (1565 in Vicenza – 1611 in Rome) was a major Italian sculptor whose work bridged the artistic worlds of Venice and Rome, forming a base for the Baroque style of the seventeenth century. [1]