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Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
The Tragical History of Romeus and Juliet Arthur Brooke (died 19 March 1563) was an English poet who wrote and created various works including The Tragical History of Romeus and Juliet (1562), considered to be William Shakespeare 's chief source for his tragedy Romeo and Juliet (published in 1597).
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The plot of Shakespeare's Romeo and Juliet takes place over four days while Brooke's narrative takes place over many months. Little is known about Arthur Brooke. He was admitted as a member of Inner Temple on 18 December 1561 under the sponsorship of Thomas Sackville and Thomas Norton. [2]
The earliest tale bearing a resemblance to Shakespeare's Romeo and Juliet is Xenophon of Ephesus' Ephesiaca, whose heroic figure is a Habrocomes.The character of Romeo is also similar to that of Pyramus in Ovid's Metamorphoses, a youth who is unable to meet the object of his affection due to an ancient family quarrel, and later kills himself due to mistakenly believing her to have been dead. [3]
Warm Bodies is a novel by author Isaac Marion.Described as a "zombie romance", it makes allusions to William Shakespeare's Romeo and Juliet.[1] [2] The author, based in Seattle, originally wrote a short story titled "I Am a Zombie Filled with Love".
For Hazlitt, the essence of Romeo and Juliet is Shakespeare's portrayal of the love that comes with "the ripening of the youthful blood"; [212] and with that love the imagination of the youthful lovers is stirred to dwell not so much on present pleasure but "on all the pleasures they had not experienced. All that was to come of life was theirs.
A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]