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The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The Hot Rod Deluxe is an all tube combo amp rated at 40 watts. It utilizes a single 12-inch Celestion A-Type Speaker. It utilizes a single 12-inch Celestion A-Type Speaker. The Hot Rod Deluxe is a mono-channel amplifier featuring 3 switchable gain levels: "Clean", "Drive", and "More Drive" selectable on either the control panel or footswitch ...
Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 ...
One particularly successful entry-level solid-state Marshall was the Lead 12/Reverb 12 combo series, which featured a preamplifier section very similar to a JCM800, and a particularly sweet-sounding output section. These amps were actually used on record by Billy Gibbons of ZZ Top, and are now in some demand.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
Thanks to a dual function jack on the amp's rear panel, the Hot Rod can also be used as a standalone reverb unit to be used in conjunction with another amplifier's input or effects loop. In this function, the gain knob becomes the unit's dwell control, the volume knob retains its level function, and the reverb knob becomes the mixture control.
A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players).