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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
The text of the poem is as in Poetry and Criticism of Matthew Arnold, edited by Dwight Culler, Boston: Houghton Mifflin Company, 1961; ISBN 0-395-05152-5 and Matthew Arnold's Poems ed. Kenneth Allott (pub. J. M. Dent & Sons Ltd, 1965). The editors of this page have opted for the elided spellings on several words ("blanch'd," "furl'd ...
A non-exhaustive list of examples includes The Wedding of Sir Gawain and Dame Ragnelle and part of Beves of Hamtoun in six-line tail rhyme stanzas; one version of the Middle English Octavian, in what would go on to be called the "Burns stanza"; Sir Amadace, Sir Gowther Sir Isumbras, The King of Tars and one version of Ipomadon in twelve-line ...
Joan Acocella, writing in The New Yorker, compares Heaney's version to the posthumous translation by J. R. R. Tolkien, but states that Heaney focuses more on the poetics rather than the details and rhythm of the original, creating a necessarily free version more fit for the modern reader. [13]
Whitman used several new techniques in the poem. One is the use of images like bird, boy, sea. The influence of music is also seen in opera form. Some critics have taken the poem to be an elegy mourning the death of someone dear to him. The basic theme of the poem is the relationship between suffering and art.
Stevens, in his essay "Three Academic Pieces" (1947), [7] begins by saying: "The accuracy of accurate letters is an accuracy with respect to the structure of reality. "Thus, if we desire to formulate an accurate theory of poetry, we find it necessary to examine the structure of reality, because reality is the central reference for poetry.