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De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días , Walk to Emmaus , and Kairos Prison Ministry .
Download as PDF; Printable version; In other projects ... Pages in category "Spanish folk music" The following 34 pages are in this category, out of 34 total.
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .
In Spain, music has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions.
The Raphael song "Tema de Amor" was performed in the 1968 Argentinian film Digan lo que digan (Let Them Talk) and it used this song as the melody with lyrics. The Dutch Duo de Koning recorded the song as ‘Ave Maria klinkt zacht door de nacht’ probably in 1968. This piece was the melody for the 1970 Françoise Hardy song "San Salvador".
The melodic themes which form the basis of "Malagueña" were not of Ernesto Lecuona's invention, having been prominent in Spanish folk songs named "malagueñas" for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs d'Andalousie (English: Memories of Andalusia).
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955. The song has also been recorded by Caterina Valente (1959) Nat ...
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