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Parricide or parenticide – the killing of one's mother, father, or other close relative. Patricide – the act of killing of one's father. (Latin: pater "father"). Senicide – the killing of one's elderly family members. (Latin: senex "old man"). Siblicide – the killing of an infant individual by their close relatives (full or half siblings).
The murder rate in the United Kingdom fell to 1 per 100,000 by the beginning of the 20th century and as low as 0.62 per 100,000 in 1960, and was at 1.28 per 100,000 as of 2009. The murder rate in France (excluding Corsica) bottomed out after World War II at less than 0.4 per 100,000, quadrupling to 1.6 per 100,000 since then. [116]
The narrator then leaves the beast since he is unable to be in its presence as it continues to suffer. He later learns that it was stripped, nearly to the bone, within hours. His elderly colleagues agree that killing the elephant was the best thing to do, but the younger ones believe that it was worth more than the Indian whom it killed.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
In 1951, in the first Theodore Spencer Memorial Lecture at Harvard University, Eliot criticised his own plays in the second half of the lecture, explicitly the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party. The lecture was published as Poetry and Drama and later included in Eliot's 1957 collection On Poetry and Poets.
Murder ballads are a subgenre of the traditional ballad form dealing with a crime or a gruesome death. Their lyrics form a narrative describing the events of a murder , often including the lead-up and/or aftermath.
Stichic: a poem composed of lines of the same approximate meter and length, not broken into stanzas. Syllabic: a poem whose meter is determined by the total number of syllables per line, rather than the number of stresses. Tanka: a Japanese form of five lines with 5, 7, 5, 7, and 7 syllables—31 in all.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...