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Nicodemus (left) talking to Jesus. Painting (1899) by Henry Ossawa Tanner. Roger Baxter, in his Meditations, reflects on moral quality of Nicodemus' timidity: Nicodemus being a man of high character, among his fellow citizens, and afraid of the censures of the world, came during the night, for instructions to Christ.
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
Finally, when Jesus is buried, Nicodemus brought a mixture of myrrh and aloes—about 100 Roman pounds (33 kilograms, or 73 lb). [g] Nicodemus must have been a man of means; in his book Jesus of Nazareth: Holy Week, Pope Benedict XVI observes that, "The quantity of the balm is extraordinary and exceeds all normal proportions. This is a royal ...
The painting illustrate the biblical story of Nicodemus a Pharisee who visited Jesus to talk to him. 1899 Paris Salon entry. [152] Nicodemus Visiting Jesus. [146] or Nicodemus [154] or Nicodemus Coming to Christ [155] Pennsylvania Academy of the Fine Arts, 1900.1. Oil on canvas, 33.11/16 × 39.5 in (85.5 × 100.3 cm). [146] [154]
The Holy Face of Lucca (Italian: Volto Santo di Lucca) is an eight-foot-tall (2.4 m), ancient wooden carving of Jesus crucified in the cathedral of San Martino, Lucca, Italy. Medieval legends state that it was sculpted by Nicodemus who assisted St. Joseph of Arimathea in placing Christ in his tomb after the crucifixion. The same legends placed ...
Jesus und Nikodemus (Jesus and Nicodemus) is a sacred motet by Ernst Pepping, a setting of a passage from the Gospel of John. [1] Pepping composed in 1937 an Evangelienmotette für vierstimmigen Chor a cappella , a motet on gospel text for four-part choir a cappella .