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Ayunda Faza Maudya, commonly known as Maudy Ayunda (born December 19, 1994) is an Indonesian actress, [1] singer-songwriter, [2] entrepreneur [3] and author. [4] Known for her knack for storytelling and multifaceted talents, Ayunda has become a household name in Indonesia, particularly in the entertainment industry and the education sector.
Maudy is the younger sister of Febrian Putra Kusuma, the main character of the series Cinta Bersemi di Putih Abu-Abu the Series [] and Super ABG []. [2] Maudy graduated from SMA Negeri 46 Jakarta and once studied management at Trisakti University, before eventually dropping out.
Ari Renaldi is an Indonesian music producer, composer, arranger, sound and mixing engineer, music director and musician. His production credits include Mocca, Tulus, Vidi Aldiano, Raisa Andriana, Afgan, Yura Yunita, Sezairi Sezali, Maudy Ayunda, Rossa, Ungu, Juicy Luicy, Yovie & Nuno amongst many others.
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4 Major I–IV ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.
Inversions of added tone chords where the added tone is the bass note are usually simply notated as slash chords instead of added-tone chords. For example, instead of C add2 /D, just C/D is used. An added tone such as fourth voiced below the root may suggest polytonality . [ 4 ]