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Alphos (from Greek ἀλφός alphos "a dull white leprosy") is a form of non-contagious leprosy, formerly described by the physician Celsus under the name of vitiligo, a term now used for another skin disease. In alphos, the skin is rough, and looks as if it had drops of white on it, not much differing from morphea.
Tzaraath (Hebrew: צָרַעַת ṣāraʿaṯ), variously transcribed into English and frequently translated as leprosy (though it is not Hansen's disease, the disease known as "leprosy" in modern times [1]), is a term used in the Bible to describe various ritually impure disfigurative conditions of the human skin, [2] clothing, [3] and houses. [4]
Leprosy has historically been associated with social stigma, which continues to be a barrier to self-reporting and early treatment. [4] Leprosy is classified as a neglected tropical disease. [21] World Leprosy Day was started in 1954 to draw awareness to those affected by leprosy. [22] [4] The study of leprosy and its treatment is known as ...
Gehazi was the servant of the prophet Elisha.He appears in connection with the history of the Shunammite woman and her son [2] and of Naaman the Syrian. On the latter occasion, Gehazi, overcome with avarice, obtained in the prophet's name two talents of silver and two valuable robes from Naaman.
To the right, a man in a small hut is shown holding a clapper, a warning to keep away from leprosy. Leprosy was endemic in that part of Europe when the painting was created. There is a begging bowl in front of the hut. In the background, men drink at a makeshift bar, and in the distance are a well-kept church and a crumbling castle.
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such as Petrarch.