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This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.
A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5] Finally, the full context of the poem might be analyzed in order to shed further light on the text, looking at such aspects as the author's biography and ...
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
As with Seneca, a caesura after the 5th element ensures a regular word-accent on the 4th and 6th element. Resolved elements are used sparingly. The iambic distich is the basis of many poems of a genre known as Iambus, in which the poet abuses and censures individuals or even communities, whether real or imaginary. Iambic rhythms were felt to be ...
The classical alexandrine was early recognized as having a prose-like effect, for example by Ronsard and Joachim du Bellay. [10] This in part explains the strictness with which its prosodic rules (e.g. medial caesura and end rhyme) were kept; they were felt necessary to preserve its distinction and unity as verse. [ 15 ]
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Rhythmical language in poetry is one of the ways we can see the tendency of poems towards a high degree of organization — there tends to be far more emphasis on rhythm in poetry than in prose. Verse, a specialized form of rhythm in language, is one of the elements that, when related to other elements in a poem, combines to form poetry.
A hemistich (/ ˈ h ɛ m ɪ s t ɪ k /; via Latin from Greek ἡμιστίχιον, from ἡμι-"half" and στίχος "verse") [1] is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama