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Poussin and de La Tour adopted a "classical" Baroque style with less focus on emotion and greater attention to the line of the figures in the painting than to colour. Peter Paul Rubens was the most important painter of the Flemish Baroque style. Rubens' highly charged compositions reference erudite aspects of classical and Christian history.
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
”The Birth of the Baroque". Italy – Baroque's origins in Rome and Spanish Naples, including Borromini's architectural work such as San Carlo alle Quattro Fontane, Bernini's fountains, churches like Sant'Andrea al Quirinale and sculptures such as The Ecstasy of St Theresa; Andrea Pozzo's illusionistic work at Sant'Ignazio and Annibale Caracci's The Loves of the Gods; Caravaggio's career in ...
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Composers during the transition from the Baroque to Classical eras, sometimes seen as the beginning of the Galante era, include the following figures listed by their date of birth: Romano Antonio Piacentino (c. 18th century)
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ...
Francesco Albani or Albano (17 March or 17 August 1578 – 4 October 1660) was an Italian Baroque painter of Albanian origin who was active in Bologna (1591–1600; 1609; 1610; 1618–1622), Rome (1600–1609; 1610–1617; 1623–1625), Viterbo (1609–1610), Mantua (1621–1622) and Florence (1633).
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]