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The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [ 1 ]
Ai-Da can be displayed in either a standing or seated position; although it has legs, it cannot walk. [12] A pair of cameras in the robot's eyes allow the robot to both make eye contact and, in conjunction with a computer vision algorithm and a modified robotic arm, create sketches of the robot's surroundings. [10]
Zone 414 is a walled city of state-of-the-art androids, humanoid robots which cater to wealthy clients, providing companionship and sex. The Zone is run by a corporation owned by the androids' inventor, Marlon Veidt, and his brother, the psychologist Joseph Veidt. Marlon realizes that his adult daughter Melissa has gone missing inside Zone 414.
Robot or android Ref 1927 Metropolis: Germany Maria's robot double [1] 1934 Der Herr der Welt (i.e. Master of the World) Germany Überroboter / Kampfmaschine (i.e. fighting machine), working-robots 1935 Loss of Sensation: USSR: 1951 The Day the Earth Stood Still: USA Gort [1] 1957 The Invisible Boy: USA Robby the Robot: 1962 The Creation of the ...
ArtBots is dedicated to the creation, presentation, and celebration of robotic art and art-making robotics, and to the promotion of the idea that robotics, and new technologies in general, are accessible, fun, intelligible, and useful, and that everyone, not just a technological elite, can participate in and influence society's technological ...
Valkyrie, a humanoid robot, [1] from NASA. A humanoid robot is a robot resembling the human body in shape. The design may be for functional purposes, such as interacting with human tools and environments, for experimental purposes, such as the study of bipedal locomotion, or for other purposes. In general, humanoid robots have a torso, a head ...
Sorayama is known for his fine art, illustration, and industrial design. Of the distinction between the first two, Soryama commented in an interview: "Unlike art, illustration is not a matter of emotion or hatreds, but an experience that comes naturally through logical thinking." [1] Sorayama began drawing erotic art of gynoid robots in 1983. [5]
Scud: The Disposable Assassin (published from 1994 to 1998, and 2008) is a humorous, hyperkinetic science fiction comic by Rob Schrab about a world in which one can buy robot assassins out of vending machines, the most popular of which are intelligent robots that kill a specified target and then self-destruct.