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Columbia Pictures (CST Entertainment Imaging, Inc.) [440] The Man Who Came to Dinner: 1942: 1988: Turner Entertainment [441] The Man with Nine Lives: 1940: 1994: Columbia Pictures (CST Entertainment Imaging, Inc.) [442] Manhattan Melodrama: 1934: 1990: Turner Entertainment [443] Mark of the Vampire: 1935: 1993: Turner Entertainment [444] [445 ...
Unlike in the novel the triffids arrive from a meteor shower, some of the action is moved to France and Spain, and an important character, Josella Playton, is deleted. [4] Most seriously, the screenplay supplies a simplistic solution to the triffid problem: salt water dissolves them and "the world was saved". [5]
The Black Scorpion: Edward Ludwig: Richard Denning, Mara Corday, Carlos Rivas: United States: Horror The Brain from Planet Arous: Nathan H. Juran: John Agar, Joyce Meadows, Robert Fuller: United States: Action Adventure Horror Thriller [14] The Curse of Frankenstein: Terence Fisher: Peter Cushing, Hazel Court, Robert Urquhart, Christopher Lee ...
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Dave and Arthur trace the fragments to the crashed meteor. Arthur deduces that the meteorite's atomic structure has been radically altered by the intense heat of atmospheric friction. In the meantime, Dr. Hendricks administers a silicon injection to Ginny. Back in the lab, Dave and Arthur investigate why the black rocks seem to be multiplying.
Without Warning (also known as July 13th [1]) is an American television film directed by Robert Iscove. [2] It follows a duo of real-life reporters covering breaking news about three meteor fragments crashing into the Northern Hemisphere.
The film went on to become a cult classic among sci-fi fans and was later shown on Mystery Science Theater 3000 (as well as "riffed"), Elvira's Movie Macabre, Off Beat Cinema, and Svengoolie. It was also included as an extra in the video game Destroy All Humans!; it becomes unlocked and ready to play in full once the player beats the game. [12]
The transition to color started in earnest when NBC announced in May 1963 that a large majority of its 1964–65 TV season would be in color. [2] By late September 1964, the move to potential all-color programming was being seen as successful [3] and, on March 8, 1965, NBC confirmed that its 1965–66 season will be almost entirely in color. [4]