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Jules-Joseph Lefebvre, The Grasshopper (1872), National Gallery of Victoria, Australia. Because of the influence of La Fontaine's Fables, in which La cigale et la fourmi stands at the beginning, the grasshopper then became the proverbial example of improvidence in France: so much so that Jules-Joseph Lefebvre (1836–1911) could paint a picture of a female nude biting one of her nails among ...
Anthropomorphic cat guarding geese, Egypt, c. 1120 BCE. Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or ...
David Edgar Walther prefers the term 'short operatic drama' for his Aesop's Fables (2009), a 12-minute cycle with libretto by the composer in which "The Fox and The Raven" appears as the first of three pieces. The fable was also choreographed by Dominique Hervieu in 2003 for Annie Sellem's composite ballet project, Les Fables à la Fontaine. In ...
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Fables, Ancient and Modern contains translations of the First Book of Homer's Iliad, eight selections from Ovid's Metamorphoses, three of Geoffrey Chaucer’s Canterbury Tales (and an imitation from the Prologue on "The Character of a Good Parson"), the later medieval poem The Flower and the Leaf, which he thought was by Chaucer, and three ...
The contradictions between fables already mentioned and alternative versions of much the same fable, as in the case of The Woodcutter and the Trees, are best explained by the ascription to Aesop of all examples of the genre. Some are demonstrably of West Asian origin, others have analogues further to the East.
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