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39/Smooth is the debut studio album by the American rock band Green Day, released on April 13, 1990, by Lookout Records.After finalizing their line-up, the band played frequent shows at the 924 Gilman Street venue, where they started attracting a following and eventually caught the attention of Lookout Records' founder Larry Livermore.
1,039/Smoothed Out Slappy Hours is a compilation album comprising early recordings by American rock band Green Day, released October 1, 1991, on Lookout Records.Often erroneously referred to as the band's debut album, the compilation combines the band's actual debut 39/Smooth (1990) and its first two EPs 1,000 Hours (1989) and Slappy (1990) (all currently out of print), as suggested by the ...
For their sixth album, Green Day initially hired producer Scott Litt, who guided R.E.M.’s mid-career pivot towards expansive, acoustic-driven albums like Out of Time and Automatic for the People ...
The album placed Green Day at the forefront of the 1990s punk rock revival. [5] Insomniac, the band's fourth studio album, was released in October 1995. While not as successful as Dookie, the album managed to peak at number two on the US Billboard 200 and received a double platinum certification from the Recording Industry Association of ...
Concert poster, dated March 16, 1990, at 924 Gilman Street for Lookout!-signed punk bands, including Green Day, Neurosis, Samiam, and the Mr. T Experience.. In 1987, friends and guitarists Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, along with bassist Sean Hughes and drummer Raj Punjabi, a fellow student from Pinole Valley High School, formed band "Blood Rage", the name ...
Green Day. Alice Baxley In the final moments of Green Day’s new album, frontman Billie Joe Armstrong sings, “We all die young someday.” But Saviors — one of the best Green Day albums in ...
The artwork had the band's name and the EP's title in black ink against a green sleeve, which was swapped for pink when Livermore used up all the green paper when xeroxing the covers. [27] The back of the EP sleeve, taken by Murray Bowles, [ 27 ] had a picture of the band; additional roles were listed for each member, such as Armstrong with ...