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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
Mulatu Astatke is considered the father of Ethio-jazz music. Multi-instrumentalist Mulatu Astatke has been considered the father of Ethio-jazz. [4] [5] He was born in 1943 in Jimma and developed an interest in music while studying aeronautical engineering in Wales. [3] He went on to pursue a formal education in music at Holy Trinity College in ...
The major pentatonic scale comprises only five notes of the major scale (C pentatonic scale is C D E G A), whereas the minor pentatonic scale comprises the five notes (C E ♭ F G B ♭). Pentatonics are useful in pattern form and that is how they are usually played. One pattern using the pentatonic scale could be 3 6 5 2 3 5 (in C: E A G D E G).
In this nomenclature, minor is employed in the sense of relative key, as the diatonic A minor scale is the relative minor of the diatonic C major scale. Jazz improvisers, particularly bassist and guitarist, use these scales in a number of interesting ways. For example, over B ♭ maj 7 ♯ 11, one can use a major pentatonic based on the 2nd ...
The same community that may use one set of instruments tuned to a certain scale (i.e. pentatonic), can use a different scale for a different set of instruments, or song type (i.e. heptatonic). [2] [3] [4] In traditional African music, scales are practised and thought of as descending from top to bottom.
Pentatonic Scales: Ethiopian music has a pentatonic modal system with long intervals between notes contributing to the distinctive nature of the music. [ 13 ] Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation.
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
[6] (major pentatonic on C: C, D, E, G, A) Contrastingly, Averill argues that the progression was used because of the potential it offered for chromatic pitch areas. [ 13 ] Variations include the addition of minor seventh chords before the dominant seventh chords , creating overlapping temporary ii–V–I relationships [ 14 ] through ii–V ...