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Schopenhauer believed that while all people were in thrall to the Will, the quality and intensity of their subjection differed: Only through the pure contemplation . . . which becomes absorbed entirely in the object, are the Ideas comprehended; and the nature of genius consists precisely in the preëminent ability for such contemplation. . . .
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
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Therefore, where there have been fully Marxist schools of art, such as Soviet Realism, the "inspired" painter or poet was also the most class-conscious painter or poet, and "formalism" was explicitly rejected as decadent (e.g. Sergei Eisenstein's late films condemned as "formalist error").
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Art of Mateo Manaure in University City of Caracas; List of works by Franz Marc; List of sketches of notable people by Marguerite Martyn; Works of Herbert Maryon; List of works by Henri Matisse; List of works by Antonin Mercié; List of works by Jean Metzinger; List of works by Michelangelo; List of artworks by John Middleton
The term objet d'art is reserved to describe works of art that are not paintings, prints, drawings or large or medium-sized sculptures, or architecture (e.g. household goods, figurines, etc., some purely aesthetic, some also practical). The term oeuvre is used to describe the complete body of work completed by an artist throughout a career. [2]
Art for Art is a movement in visual contemporary art, represented by a group of American, European, and Chinese artists.They work in various styles and techniques, but hold to the same ideology, supporting the idea of the value and significance of the piece of art as an act of creation and self-expression.