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La Noche Triste ("The Night of Sorrows", literally "The Sad Night"), was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
When Cortés and his men, including those who had come under Narváez, returned, the Aztecs began full-scale hostilities against the Spaniards. The Spaniards had no choice but to retreat from the city, which they did on what is called the Sad Night ( La Noche Triste ), losing most of their men, who were either killed in the battle or were ...
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Night of the Seagulls (Original Spanish: La noche de las gaviotas, also known as Don't Go Out at Night, and Night of the Death Cult) is a 1975 Spanish horror film written and directed by Amando de Ossorio. The film is the fourth and final in the Blind Dead series, being the sequel to The Ghost Galleon (1974).
The Stockholm Bloodbath was a consequence of conflict between Swedish pro-unionists (in favour of the Kalmar Union, then dominated by Denmark) and anti-unionists (supporters of Swedish independence), and also between the anti-unionists and the Danish aristocracy, which in other aspects was opposed to King Christian. [4]
The film is the first part of Mushi Production's adult-oriented Animerama trilogy, and was followed by Cleopatra (1970) and Belladonna of Sadness (1973). The film was a hit in Japan with distribution box-office revenue of ¥290 million, [1] but was largely ignored outside of the domestic market, receiving a limited release in the US. [2]
Night. Night is a sculpture in marble (155x150 cm, maximum length 194 cm diagonally) by Michelangelo Buonarroti. Dating from 1526 to 1531, it is part of the decoration of the New Sacristy and part of an allegory of the four parts of a day. It is situated on the left of the sarcophagus of the tomb of Giuliano di Lorenzo de' Medici, Duke of Nemours.
Bonjour Tristesse (French "Hello, Sadness") is a 1958 British-American Technicolor film in CinemaScope, [2] directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same name by Françoise Sagan.