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Mussolini felt that socialism had faltered, in view of the failures of Marxist determinism and social democratic reformism, and believed that Nietzsche's ideas would strengthen socialism. Mussolini's writings came to reflect an abandonment of Marxism and egalitarianism in favour of Nietzsche's übermensch concept and anti-egalitarianism.
According to A. James Gregor, Mussolini came to believe that "Fascism was the only form of 'socialism' appropriate to the proletarian nations of the twentieth century" while he was in the process of shifting his views from socialism to nationalism. [115]
The Doctrine of Fascism by Benito Mussolini Complete text of the essay "Dottrina" (Doctrines). A translation of the Benito Mussolini "Doctrines" section of the "Fascism" entry in the 1932 edition of the Enciclopedia Italiana. From the publication Fascism: Doctrine and Institutions, by Benito Mussolini, 1935, 'Ardita' Publishers, Rome. Footnote ...
In the opening moments of Sky’s new, eight-part biopic Mussolini: Son of the Century, we hear the man himself speak.“For 20 years you adored me and feared me, as a god. Then you madly hated me ...
Benito Mussolini, dictator of Fascist Italy (left), and Adolf Hitler, dictator of Nazi Germany (right), were fascist leaders.. Fascism (/ ˈ f æ ʃ ɪ z əm / FASH-iz-əm) is a far-right, authoritarian, and ultranationalist political ideology and movement, [1] [2] [3] characterized by a dictatorial leader, centralized autocracy, militarism, forcible suppression of opposition, belief in a ...
Mussolini came to believe rumours that Bolshevik leader Vladimir Lenin was of Jewish descent. [77] In an article in Il Popolo d'Italia in June 1919, Mussolini wrote a highly antisemitic analysis on the situation in Europe involving Judeo–Bolshevism following the October Revolution , the Russian Civil War and war in Hungary involving the ...
Mussolini came to believe rumors that Bolshevik leader Vladimir Lenin was of Jewish descent. [42] Mussolini attacked the Jewish banker Giuseppe Toeplitz of Banca Commerciale Italiana by claiming that he was a German agent and traitor of Italy. [ 43 ]
Mussolini's melodramatic style of oratory was both pantomimic and liturgical, with exaggerated poses and hand movements, and prominent variations in the pitch and tone of his voice. [20] Mussolini intended his speeches to be faith-inspiring theatrical performances and stated that "the crowd does not have to know; it must believe". [20]