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Clarke was born in the year of 2131 in October and raised on the Ark to Jake and Abigail Griffin. Before her imprisonment, Clarke's father discovered that the Ark space station was running out of oxygen, and had an estimated 6 months' worth left.
Warning: Spoilers follow for the series finale of The CW’s “The 100.”“The 100” came to a close after seven seasons on Wednesday night, but there’s still some unpacking to be done about ...
Tillman moved the original first quatrain into the refrain of his version and altered the words to wed better to the repeated nature of a refrain. He printed the song with a reference to 2 Samuel 15:15 ("Behold, thy servants are ready to do whatsoever my lord the king shall appoint").
"Monkey Gone to Heaven" is a song by the American alternative rock band Pixies. Recorded in November 1988 during the sessions for the band's 1989 album Doolittle , it was released as a single in March, and included as the seventh track on the album when it was released a month later in April.
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
Make Way for Dionne Warwick is the third studio album by American singer Dionne Warwick.It was released by Scepter Records on August 31, 1964 in the United States. Propelled by the hit singles "Walk on By," "You'll Never Get to Heaven," and "Wishin' and Hopin'", it became Warwick's first album to enter the US charts, reaching the top ten of Top R&B/Hip-Hop Albums.
John Cooper Clarke in 1979 "Evidently Chickentown" is a poem by the English performance poet John Cooper Clarke. The poem uses repeated profanity to convey a sense of futility and exasperation. [1] Featured on Clarke's 1980 album Snap, Crackle & Bop, the realism of its lyrics is married with haunting, edgy arrangements. [2]
No Other is the fourth solo studio album by American singer-songwriter Gene Clark.Released in September 1974, [A] it was largely ignored or lambasted by critics and was a commercial failure; the studio time and cost were seen as excessive and indulgent. [1]