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Psalm 150 is the 150th and final psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the L ORD. Praise God in his sanctuary". In Latin, it is known as "Laudate Dominum in sanctis eius". [1] In Psalm 150, the psalmist urges the congregation to praise God with music and dancing, naming nine types of musical ...
Salmo 150 (Psalm 150) is a psalm setting by Ernani Aguiar. He wrote the composition, setting Psalm 150 in Latin for unaccompanied choir, in 1975. The short work was published by Earthsongs in the U.S. in 1993, and achieved international popularity.
Psalm 150, the final psalm of the Book of Psalms, calls to praise God in music, listing nine types of instruments. [1] It is also called "the musicians' psalm". [2] It has inspired composers such as Anton Bruckner, Igor Stravinsky, and Benjamin Britten.
None of the writing is informed by the sound or structure (in spite of the composer's recent study of Hebrew cantillation) of Jewish music generally or any existing tradition for singing the Biblical text. Indeed, a major factor in Reich's choosing the Psalms was that, "the oral tradition for Psalm singing in the Western synagogues has been lost.
Gloria is a sacred choral composition by Karl Jenkins, completed in 2010.It is an extended setting of the Gloria part of the mass in Latin, on the text of the Gloria in three movements, interpolated with two movements on other texts, Psalm 150 in Hebrew and a song derived from biblical verses in English.
Laudibus in sanctis is a three-section Latin motet by William Byrd that paraphrases, rather than sets, Psalm 150.Published for five-part choir in his 1591 collection Cantiones sacrae, its sections have these incipits: Laudibus in sanctis — Magnificum Domini — Hunc arguta.
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
The third movement of the Symphony of Psalms alternates "Tempo = 48" and "Tempo = 80", and uses nearly the complete text of Psalm 150. Stravinsky wrote: Stravinsky wrote: The allegro in Psalm 150 was inspired by a vision of Elijah's chariot climbing the Heavens; never before had I written anything quite so literal as the triplets for horns and ...