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Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...
Salmo 150 (Psalm 150) is a psalm setting by Ernani Aguiar. He wrote the composition, setting Psalm 150 in Latin for unaccompanied choir, in 1975. The short work was ...
Psalm 150 (French: Psaume 150) is a psalm setting by César Franck. He wrote the composition, setting Psalm 150 for four-part choir, orchestra and organ, in 1883. It was published in 1896 by Breitkopf & Härtel. Carus-Verlag published an arrangement for choir, strings and organ.
Anton Bruckner's Psalm 150, WAB 38, is a setting of Psalm 150 for mixed chorus, soprano soloist and orchestra written in 1892. History.
Gloria is a sacred choral composition by Karl Jenkins, completed in 2010.It is an extended setting of the Gloria part of the mass in Latin, on the text of the Gloria in three movements, interpolated with two movements on other texts, Psalm 150 in Hebrew and a song derived from biblical verses in English.
In the Armenian Church, Psalm 151 is recited as part of the Matins sequence of biblical poetic material, which includes canticles from the Old and New Testaments, Psalms 51, 148–150, and 113 (numbering according to the Septuagint). The Armenian version of Psalm 151 is close to the Septuagint, with some variation.
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Laudibus in sanctis is a three-section Latin motet by William Byrd that paraphrases, rather than sets, Psalm 150.Published for five-part choir in his 1591 collection Cantiones sacrae, its sections have these incipits: Laudibus in sanctis — Magnificum Domini — Hunc arguta.