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A philosophical poet is a poetic writer who employs poetic devices to explore subjects common to the field of philosophy, esp. those revolving around language: e.g., philosophy of language, semiotics, phenomenology, hermeneutics, literary theory, psychoanalysis, and critical theory. [1]
Walker's Rhyming Dictionary was made by John Walker and released in 1775. [1] It is an English reverse dictionary , meaning that it is sorted by reading words in reverse order. As spelling somewhat predicts pronunciation, this functions as a rhyming dictionary .
The Vanity of Human Wishes: The Tenth Satire of Juvenal Imitated is a poem by the English author Samuel Johnson. [1] It was written in late 1748 and published in 1749 (see 1749 in poetry ). [ 2 ] It was begun and completed while Johnson was busy writing A Dictionary of the English Language and it was the first published work to include Johnson ...
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
Margaret Walker's evocative poetry has inspired new musical compositions by 20th and 21st-century composers. Inspired works include Randy Klein's 2011 For My People — The Margaret Walker Song Cycle, a song cycle for choir (formerly entitled Lineage), [23] [24] and Edward W. Hardy's 2022 BORN FREE, a song cycle for soprano, violin and piano. [25]
Samuel Johnson (18 September [O.S. 7 September] 1709 – 13 December 1784), often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, literary critic, sermonist, biographer, editor, and lexicographer.
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The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.