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Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.
Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
Maude Mitchell was born in a dark wigwam in August of 1904 in Crow Wing County, Minnesota, near Portage Lake, a few miles northwest of Mille Lacs Lake. [2] Her parents were Charles Mitchell, a member of the non-Removable Mille Lacs Indians of the Adik-doodem, and his wife, Nancy Pine.
A-na-cam-e-gish-ca (Aanakamigishkaang / "[Traces of] Foot Prints [upon the Ground]"), Rainy Lake Ojibwe chief, painted by Charles Bird King during the 1826 Treaty of Fond du Lac & published in History of the Indian Tribes of North America.
George Morrison (September 30, 1919 – April 17, 2000) was an Ojibwe abstract painter and sculptor from Minnesota. His Ojibwe name was Wah Wah Teh Go Nay Ga Bo (Standing In the Northern Lights). [1] Morrison's work is associated with the Abstract Expressionist movement in the United States. [2]
Blake Debassige was a Native Canadian artist of the M'Chigeeng First Nation, [1] born at West Bay on Manitoulin Island in Ontario on June 22, 1956, passed June 13, 2022. [2] A leading member of the "second generation" of Ojibwa artists influenced by Norval Morrisseau, Debassige has broadened the stylistic and thematic range of this group.
Norval Morrisseau, Artist and Shaman between Two Worlds, 1980, acrylic on canvas, 175 x 282 cm, National Gallery of Canada, Ottawa Woodlands style, also called the Woodlands school, Legend painting, Medicine painting, [1] and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba.
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.