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The song's lyrics, particularly in the first line and the third verse, were influenced by J. R. R. Tolkien's The Lord of the Rings, mentioning among other things "the darkest depths of Mordor", Gollum, and "The Evil One" (Sauron). [10]
The third verse of Led Zeppelin's 1969 song "Ramble On" by Jimmy Page features a "bizarre" Middle-earth including a Mordor where one can meet beautiful women: "Twas in the darkest depths of Mordor / I met a girl so fair / But Gollum, and the evil one crept up / And slipped away with her". [27] [28]
The name "Moria" means "the Black Chasm" or "the Black Pit", from Sindarin mor, "dark, black" and iâ, "void, abyss". [T 1] The element mor had the sense "sinister, evil", especially by association with infamous names such as Morgoth and Mordor; indeed Moria itself had an evil reputation by the times in which The Hobbit and The Lord of the Rings are set.
Between those two ranges, at Mordor's northwest tip, are the Black Gates of the Morannon. In the angle between the two ranges is the volcanic Plateau of Gorgoroth, with the tall volcano of Orodruin or Mount Doom, where the Dark Lord Sauron forged the One Ring. To the mountain's east is Sauron's Dark Tower, Barad-dur. [9]
The rock band Led Zeppelin mention Gollum and Mordor in their 1969 song "Ramble On", with the lyrics "Twas in the darkest depths of Mordor / I met a girl so fair / But Gollum, and the evil one crept up / And slipped away with her".
These include the industrial hells of Saruman's Isengard with its underground furnaces and labouring Orcs; the dark tunnels of Moria; Sauron's evil land of Mordor; and Morgoth's subterranean fortress of Angband. The gates to some of these realms, like the guarded West Door of Moria, and the Black Gate to Mordor, too, carry echoes of the gates ...
The fictional races and peoples that appear in J. R. R. Tolkien's fantasy world of Middle-earth include the seven listed in Appendix F of The Lord of the Rings: Elves, Men, Dwarves, Hobbits, Ents, Orcs and Trolls, as well as spirits such as the Valar and Maiar.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...