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Yamaha entered the ATC market in 1980, after paying patent-right to Honda to produce their own version of the All Terrain Cycle. Starting modestly with a 125cc recreational ATC that would remain the foundation of their line through 1985, the YT125 featured a 2 stoke engine with sealed airbox with snorkel intake, an autolube oil injection system, and featured a narrow tunnel above the engine ...
A typical high-performance CD-4 system would include a turntable with a CD-4 compatible phono cartridge, a CD-4 demodulator, a four-channel amplifier (or receiver), and four identical full-range loudspeakers. [5] CD-4 encoded records were also compatible with conventional two-channel stereo playback systems. In stereo mode all four channels of ...
The phonograph, in its later forms also called a gramophone, record player or turntable, is a device introduced in 1877 for the mechanical recording and reproduction of sound. Phonographs can also specifically refer to machines that only play Phonograph cylinder s, the gramophone is an advanced version of the phonograph that only plays disc ...
1971 Yamaha AT1C Each year, the AT1 was also available in the Motocross edition designated by an M. The M models were very similar to the regular models other than a few performance-enhancing features, such as weight reduction, higher compression ratio, tuned exhaust, larger carburettor with 26 mm throttle bore, and tuned gearing ratio.
4 June – KFMH of Davenport, Iowa, flips from its beautiful music format to alternative rock, using the slogan "99 Plus." The first song is reportedly "I've Seen All Good People" by Yes . The new station quickly gains a cult following and a reputation for playing music and showcasing genres and local artists ignored by other stations.
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The spindle and any records stacked on it rotated with the turntable, so that each waiting disc was already up to speed before it dropped. [citation needed] Large mechanized spindle adaptors were supplied with most multi-speed automatic record changers sold in the 1950s and 1960s, but they were not as fast and efficient.
Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is ...