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An opera in French, Cyrano de Bergerac, whose libretto by Henri Caïn is based on Rostand's words, was composed by the Italian Franco Alfano and was first presented in an Italian translation in 1936. The original French version has been revived in productions including the Opéra national de Montpellier with Roberto Alagna in 2003, and a 2005 ...
Cyrano de Bergerac is a 1950 American adventure comedy film based on the 1897 French Alexandrin verse drama Cyrano de Bergerac by Edmond Rostand. It uses poet Brian Hooker 's 1923 English blank verse translation as the basis for its screenplay. [ 3 ]
Marcel Migeo: Les Rostand, Paris, Stock, 1973. About Edmond, his wife Rosemonde, and their sons Jean and Maurice Rostand. Sue Lloyd: The Man who was Cyrano, a Life of Edmond Rostand, Creator of 'Cyrano de Bergerac', Genge Press, USA, 2003; UK 2007. ISBN 978-0-9549043-1-9 Kindle version now available.
Rostand distilled this vulnerability in a single facial feature, but Cyrano’s monstrous nose is a metaphor for the ugliness, real or imagined, that holds people back from revealing the love they ...
Cyrano's short life is poorly documented. Certain significant chapters of his life are known only from the Preface to the Histoire Comique par Monsieur de Cyrano Bergerac, Contenant les Estats & Empires de la Lune (Comical History of the States and Empires of the Moon) published in 1657, nearly two years after his death. [2]
Disillusion and how to overcome it is also a personal theme. Rostand wrote the play for Benoît-Constant Coquelin, known as "Coq" (the French word for a cockerel/rooster), who had created the role of Cyrano de Bergerac in 1897. But Coquelin died of a heart attack in 1909 (clutching, it was said, a copy of the script of Chantecler).
Cyrano de Bergerac is a Franco-Italian silent romantic drama film directed by Augusto Genina in 1922 based on the 1897 play of the same name by Edmond Rostand. Genina began filming in 1922, at age 30, with the help of his cousin Mario Camerini , but its release was delayed by the colorization of the film.
Erica Schmidt fell in love with the music of the National, and asked the band to write for her stage production of 'Cyrano.' The screenplay was next. Yearning, despair and heartbreak is all it ...