Search results
Results From The WOW.Com Content Network
Ritual fighting (or ritual battle or ritual warfare) permits the display of courage, masculinity, and the expression of emotion while resulting in relatively few wounds and even fewer deaths. Thus such a practice can be viewed as a form of conflict-resolution and/or as a psycho-social exercise.
Some practice Hoodoo as an autonomous religion, some practice as a syncretic religion between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion. [7] [8] Many Hoodoo traditions draw from the beliefs of the Bakongo people of Central Africa. [9]
Sjoerd Hofstra: Boys returning from their initiation in the Poro. Panguma, Sierra Leone, 1936. The Poro, or Purrah or Purroh, is a men's secret society in Sierra Leone, Liberia, Guinea, and the Ivory Coast, introduced by the Mane people (the Mande Elites leading large-scale migrations from the Mali Empire into the southern coastal areas).
Art and oracle: African art and rituals of divination. New York: The Metropolitan Museum of Art. ISBN 978-0-87099-933-8. Archived from the original on 2013-05-10. Lugira, Aloysius Muzzanganda. African traditional religion. Infobase Publishing, 2009. Mbiti, John. African Religions and Philosophy (1969) African Writers Series, Heinemann ISBN 0 ...
Kongo Creation Story. According to researcher Molefi Kete Asante, "Another important characteristic of Bakongo cosmology is the Sun and its movements.The rising, peaking, setting, and absence of the Sun provide the essential pattern for Bakongo religious culture.
Five sangomas in KwaZulu-Natal. Traditional healers of Southern Africa are practitioners of traditional African medicine in Southern Africa.They fulfil different social and political roles in the community like divination, healing physical, emotional, and spiritual illnesses, directing birth or death rituals, finding lost cattle, protecting warriors, counteracting witchcraft and narrating the ...
The ritual practise of Ulwaluko is a highly respected and sacred cultural practice among the Xhosa and some Nguni speaking peoples of South Africa. It has been alleged that the impact of the practice may threaten the self-esteem of a homosexual young man, although it is not compulsory for any person to participate.
Death and the King's Horseman builds upon the true story on which Soyinka based the play, to focus on the character of Elesin, the King's Horseman of the title. According to some Yoruba traditions, the death of the king must be followed by the ritual suicide of the king's horseman as well as the king's dog and horse, because the horseman's spirit is essential to helping the King's spirit ...