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Chanking is a guitar performance technique in funk music that involves both "choking" the guitar neck and strumming the strings percussively to create a distinctive-sounding riff commonly associated with the genre. [1] The technique was popularized by the music of James Brown, later spreading to other genres and performers.
Funk rock is a fusion genre that mixes elements of funk and rock. [1] James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
This one-three beat launched the shift in Brown's signature music style, starting with his 1964 hit single, "Out of Sight" and his 1965 hits, "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)". Brown's style of funk was based on interlocking, contrapuntal parts: syncopated basslines, 16th beat drum patterns, and syncopated guitar riffs. [4]
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, [1] Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer. The music has also been quite influential on the M-Base ...
This style later evolved into a tighter guitar and horns-based funk (circa 1971–75), which subsequently, during the height of Parliament-Funkadelic success (circa 1976–81), added elements of R&B and electronic music, with fewer psychedelic rock elements. The band made their first live television performance on Say Brother on
Brit funk (or Britfunk) is a musical style that has its origins in the British music scene of the late 1970s and which remained popular into the 1980s. It mixes elements from jazz , funk , soul , urban dance rhythms and pop hooks.
In 2007, The New York Times stated, "Dumpstaphunk is the best funk band from New Orleans right now." [4]From annual performances at New Orleans' Jazz Fest — "The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever" (Bass Player magazine, 2012) [5] — to music rooms and festivals across the nation (Bonnaroo ...
Aurra was an American 1980s soul group, which, at the time of its biggest success on Salsoul Records, featured Curt Jones (guitar/vocals) and Starleana Young (vocals) and included Steve Washington (bass/guitar/drums), Philip Field (keyboards/synthesizers/vocals) and Tom Lockett (saxophone/percussion).