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Marmorino stucco. Marmorino Veneziano is a type of plaster or stucco.It is based on calcium oxide and used for interior and exterior wall decorations. Marmorino plaster can be finished via multiple techniques for a variety of matte, satin, and glossy final effects.
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. [1]
In the Renaissance "sinopia" or "sinoper" meant any of a range of different shades and hues, and the colour had a variety of names; it was sometimes called Venetian red, or Terra di Siena (Sienna earth), or Ocra rosso (red ochre). [2] The colour shown in the box above is one more recent commercial variety of the colour.
Venetian red is a light and warm (somewhat unsaturated) pigment that is a darker shade of red. The composition of Venetian red changed over time. Originally it consisted of natural ferric oxide (Fe 2 O 3, partially hydrated) obtained from the red hematite. Modern versions are frequently made with synthetic red iron oxide produced via ...
the plaster is applied in one thick coat with a wooden float, and smoothed with the same. before the plaster sets, a flat, smooth, hard stone is used to compress the plaster, then a plastic trowel used for the final polish. it is mechanically polished using stones or abrasives harder than the plaster, providing a smooth, sometimes shiny, finish.
Paredes coated the mantel and chimney breast in black Venetian plaster to add “something dramatic” amid the snowy slopes and all-white walls. Chris Mottalini Parisian Fireplace
The plaster is modified with the addition of animal glues such as isinglass or hide glue. 'Marezzo scagliola' is worked with the pigmented batches of plaster in a liquid state and relies mainly on the use of Keene's cement, a unique gypsum plaster product in which plaster of Paris was steeped in alum or borate, then burned in a kiln and ground ...
Hard cement was also commonly used to join glass vessels and fix cracks; it was composed of resin, beeswax and either brick dust or "bole earth", or red ochre or venetian red. Soft cement, made of yellow wax, turpentine and venetian red, was also used for repair. [7]