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According to varying believers, Nichiren cited the mantra in his Ongi Kuden, [12] [dubious – discuss] a transcription of his lectures about the Lotus Sutra, Namu (南無) is a transliteration into Japanese of the Sanskrit namas, and Myōhō Renge Kyō is the Sino-Japanese pronunciation of the Chinese title of the Lotus Sutra (hence, Daimoku ...
The Mantra of Light (Japanese: kōmyō shingon, 光明真言, Sanskrit: Prabhāsa-mantra), also called the Mantra of the Light of Great Consecration (Ch: 大灌頂光真言) and Mantra of the Unfailing Rope Snare, is an important mantra of the Shingon and Kegon sects of Japanese Buddhism. It is also recited in Japanese Zen Buddhism. [1]
Shōmyō (声明) is a style of Japanese Buddhist chant, used mainly in the Tendai and Shingon sects. [1] There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Shōmyō, like gagaku, employs the Yo scale, a pentatonic scale with ascending intervals of two, three, two, two, and three semitones. [2]
Honkyoku (本曲) are the pieces of shakuhachi or hocchiku music originally played by wandering Japanese Zen monks called Komuso. Komuso temples were abolished in 1871, but their honkyoku music remains popular in modern Japan. Komuso played honkyoku as a meditative practice and for alms as early as the 13th century.
See also Zen for an overview of Zen, Chan Buddhism for the Chinese origins, and Sōtō, Rinzai and Ōbaku for the three main schools of Zen in Japan. Japanese Zen refers to the Japanese forms of Zen Buddhism, an originally Chinese Mahāyāna school of Buddhism that strongly emphasizes dhyāna, the meditative training of awareness and equanimity. [1]
Mantras (and bījas, or "seed-syllable" mantras) are generally associated with a Buddhist deity; for example, the seed syllable of Mahavairocana in the Garbhadhātu Mandala is "A", while a key mantra of Mahavairocana is "a vi ra hūṃ kha". Some deities have multiple seed mantras as well along with different mantras.
In Japan, it is associated with the Zen Soto school, Dogen's offshoot of Caodong. Some practitioners teach that shikantaza means that one should not focus attention on a specific object (such as the breath), instead "just sitting" in a state of conscious awareness; however, the 13th-century origin of the expression indicates a general emphasis ...
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.