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[26] [27] Again in 2022, a new controversy started when both CBSE and NCERT removed topics regarding Islamic Empires in the class 12 history textbook and chapters like “Challenges to Democracy” in the class 10 political science subject and many others, saying it is necessary to reduce syllabus to reduce examination pressure on students by ...
Sanskrit has, together with Ancient Greek, kept most intact among descendants the elaborate verbal morphology of Proto-Indo-European.Sanskrit verbs [α] thus have an inflection system for different combinations of tense, aspect, mood, voice, number, and person.
A subhashita (Sanskrit: सुभाषित, subhāṣita) is a literary genre of Sanskrit epigrammatic poems and their message is an aphorism, maxim, advice, fact, truth, lesson or riddle. [1] Su in Sanskrit means good; bhashita means spoken; which together literally means well spoken or eloquent saying.
[5] [6] SWAYAM has accumulated 203 partnering institutes, 2,748 completed courses, 12,541,992 student enrollments, 915,538 exam registrations, and 654,664 successful certificates. [7] SWAYAM (meaning 'Self' in Sanskrit) [8] is an acronym that stands for "Study Webs of Active-Learning for Young Aspiring Minds" [9]
Kaumudi-Mahotsava (IAST: Kaumudīmahotsava, "Festival of Moonlight") is a Sanskrit play of uncertain date, known from a single manuscript discovered in the present-day state of Kerala, India. The portion of the manuscript that likely contained the playwright's name is damaged, but the name appears to be feminine—some scholars interpret it as ...
Sanskrit grammatical tradition (vyākaraṇa, one of the six Vedanga disciplines) began in late Vedic India and culminated in the Aṣṭādhyāyī of Pāṇini.The oldest attested form of the Proto-Indo-Aryan language as it had evolved in the Indian subcontinent after its introduction with the arrival of the Indo-Aryans is called Vedic.
The Sushruta Samhita (Sanskrit: सुश्रुतसंहिता, lit. 'Suśruta's Compendium', IAST: Suśrutasaṃhitā) is an ancient Sanskrit text on ...
Abhinaya (Sanskrit abhi-'towards' + nii-'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni's Natya Shastra, is used as an integral part of all Indian classical dance styles. [1]