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The Triumph of Fame is one of a set of six tapestries, the other five of which are now lost, based on Petrarch's Trionfi. It was created probably in Brussels, by an unknown workshop. This work, or one identical to it, was bought by Queen Isabella of Spain and Castile in 1504. This tapestry uses a silk weft that covers the wool warp.
The Överhogdal tapestries were found in the vestry of Överhogdal Church (Överhogdals kyrka) in the Diocese of Härnösand by Jonas Holm (1895-1986) in 1909 during the renovation of the church. The tapestries were brought to Östersund in 1910 by the artist Paul Jonze (1883-1973) and the County Governor's wife Ellen Widén , who was a ...
Campbell (2007): Campbell, Thomas P., Henry VIII and the Art of Majesty: Tapestries at the Tudor Court, 2007, Yale University Press, ISBN 978-0-300-12234-3, google books; Campbell (2008): Campbell, Thomas P. "How Medieval and Renaissance Tapestries Were Made." 2008, Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, online
European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. (2 vols.). New York: The Metropolitan Museum of Art. ISBN 0-87099-406-9. Wingfield Digby, G F (1980). The Victoria and Albert Museum. The Tapestry Collection : Medieval and Renaissance. London: Her Majesty's Stationery Office. ISBN 0-11-290246-4.
The tapestries are known as Boar and Bear Hunt, Falconry, Swan and Otter Hunt, and Deer Hunt. [1] [2] These enormous works, each over 13 feet tall and altogether about 133 feet wide, depict men and women in fashionable dress of the early fifteenth century hunting in forests.
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]