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Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
Linear or point-projection perspective (from Latin perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. [citation needed] [dubious – discuss] Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye.
The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Hatching is especially important in essentially linear media, such as drawing, and many forms of printmaking, such as engraving, etching and woodcut. In Western art , hatching originated in the Middle Ages , and developed further into cross-hatching, especially in the old master prints of the fifteenth century.
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
The largest, most time-consuming paid work that an artist could do was a scheme of frescoes for a church, private palace or commune building. Of these, the largest unified scheme in Italy which remains more-or-less intact is that created by a number of different artists at the end of the Medieval period at the Basilica of St. Francis of Assisi.
[3] [4] In painting, naturalism is the precise, detailed and accurate representation in art of the appearance of scenes and objects. It is also called mimesis or illusionism and became especially marked in European painting in the Early Netherlandish painting of Robert Campin, Jan van Eyck and other artists in the
The viewpoint of visual art is fundamental because every different perspective views different angled lines. This change of perspective elicits a different response to the image. Changing the air only by some degrees or some centimeters lines in embodiments can vary tremendously, and a distinct feeling can be transported.