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The Good, the Bad and the Ugly" is the theme to the 1966 film of the same name, which was directed by Sergio Leone. Included on the film soundtrack as "The Good, the Bad and the Ugly (main title)", the instrumental piece was composed by Ennio Morricone , with Bruno Nicolai conducting the orchestra.
The main theme was a hit in 1968. The soundtrack album was on the charts for more than a year, [2] reaching No. 4 on the Billboard pop album chart and No. 10 on the black album chart. [4] The main theme was also a hit for American musician Hugo Montenegro, whose rendition on the Moog synthesizer was a No. 2 Billboard pop single in 1968.
"The Story of a Soldier" ("La storia di un soldato" in Italian) is a song from Sergio Leone's 1966 Western The Good, the Bad and the Ugly. [1] Like the rest of the film's score, it was composed by Ennio Morricone, and it is the only song in the score accompanied by lyrics written by Tommie Connor.
Some are too saccharine, others too long – and the worst are when an actor thinks only of themselves
Only two tones, associated with pitch accents, are recognised, these being H (high) and L (low); all other tonal contours are made up of combinations of H, L and some other modifying elements. In addition to the two tones mentioned above, the phonological system includes "break indices" used to mark the boundaries between prosodic elements.
"867-5309/Jenny" is a song written by Alex Call and Jim Keller and performed by Keller's band Tommy Tutone. It was released on the album Tommy Tutone 2 (1981) through Columbia Records . It peaked at number four on the Billboard Hot 100 and number one on the Rock Top Tracks chart in April 1982.
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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...