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David Jeffries from AllMusic says the two sides of UB40's career is represented in Greatest Hits from "the ultra-slick, easy to swallow side of the band" with tracks like "(I Can't Help) Falling in Love with You" mixed in with "the underdog with roots reggae attitude and dubby production" numbers like "One in Ten". He calls it a "one-disc ...
The Very Best of UB40 1980–2000 is a greatest hits album of the British dub/reggae band UB40. There is another, later release with the similar title The Best Of UB40 Volume I & II , with different contents.
The discography of UB40, a British reggae band, consists of 21 studio albums, 19 compilation albums, six live albums, four remix albums, 65 singles and a number of appearances with other artists.
UB40 are one of the most commercially successful reggae acts of all time in terms of record sales (over 70 million), chart positions, and touring schedule. [2] Over the course of their career, they have performed sell-out shows worldwide, headlined the Reggae Sunsplash music festival in Jamaica , and introduced reggae to places such as Russia ...
The Best of UB40 – Volume One is a compilation album by the British reggae band UB40. It was released in 1987 and includes a selection of the band's hits from 1980 to 1986. The pub on the cover of the album is the Eagle and Tun, frequented by UB40 as it is close to their DEP International recording studios in Digbeth, Birmingham.
The Best of UB40 – Volume Two is a compilation album by English Reggae group UB40, released in 1995. In 2005 the album was re-released as a two double pack. The Best of UB40 – Volume Two peaked at number 91 on Germany Charts. [1]
Labour of Love is the fourth studio album by British reggae band UB40, and their first album of cover versions.Released in the UK on 12 September 1983, [2] the album is best known for containing the song "Red Red Wine", a worldwide number-one single, but it also includes three further UK top 20 hits, "Please Don't Make Me Cry", "Many Rivers to Cross" and "Cherry Oh Baby".
It was the first song UB40 played to producer Bob Lamb, with Lamb recalling that "it just blew my mind basically, to realise a bunch of kids could make a sound like that... it blew me away. And that was it for me, I was hooked, it was a bit like Elvis walks in or something, you know, it was one of those moments". [ 6 ]