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The distinctness of the Donegal tradition developed due to the close relations between County Donegal and Scotland, and the Donegal repertoire and style has influences from Scottish fiddle music. For example, in addition to the ”universally known” standard Irish dance tunes, there is an added volume of Scottish and Nova Scotia tunes played ...
The historical connection between the west coast of Scotland and Donegal is an ancient one (many shared names) as can be heard in the volume of strathspeys, schottisches, marches, and Donegal's own strong highland piping tradition. (See Donegal fiddle tradition). Like some Scottish fiddlers (which tends to use a short bow and play in a more ...
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Reference to the Irish fiddle can also be found in John Dunton's Teague Land: or A Merry Ramble to the Wild Irish (1698) he says “on Sundays and Holydays, all the people resorted with the piper and fiddler to the village green" Thomas Dineley visited Ireland in 1680 he says in regards to music "with piper, harper, or fidler, revell and dance ...
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He was also interviewed by Michael Robinson for Fiddler Magazine on The Donegal Fiddle tradition. [ 5 ] In recent years, He began his own summer fiddle school, and performed regularly with his partner, Connie Drost, and their daughters Merle, Aisling and Séana, all excellent fiddlers.
Liz Doherty was born in Buncrana, County Donegal, Ireland in 1970, the oldest daughter of four girls.Although she was born and raised in the vibrant musical county of Donegal, she hadn't seriously been interested in Irish music performance (despite learning Irish traditional music and dance from a young age); it wasn't until 1987, when she went to Glencolmcille's Fiddle Week, through Cairdeas ...
Born in 1937, Campbell grew up in a house that was steeped in Donegal fiddle music. His father and grandfather were well known fiddle players. [2] The Campbell home was a regular venue for musicians to come to visit and play music, including both Mickey and John Doherty.