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A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), [1] is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art.
The term "performance art" and "performance" became widely used in the 1970s, even though the history of performance in visual arts dates back to futurist productions and cabarets from the 1910s. [ 6 ] [ 1 ] Art critic and performance artist John Perreault credits Marjorie Strider with the invention of the term in 1969. [ 7 ]
In the context of performing arts, dance generally refers to human movement, typically rhythmic and to music, used as a form of audience entertainment in a performance setting. Definitions of what constitutes dance are dependent on social , cultural , aesthetic , artistic , and moral constraints and range from functional movement (such as folk ...
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement.
Dance generally refers to human movement, either used as a form of expression or presented in a social, spiritual, or performance setting. [ 46 ] [ 47 ] [ a ] Choreography is the art of making dances, [ 52 ] and the person who does this is called a choreographer. [ 53 ]
The history of collaboratively devised performance is as old as the theatre: we see prototypes of contemporary devising practice in ancient and modern mime, in circus arts and clowning, in commedia dell'arte; some cultural traditions, indeed, have always created performance through predominantly collectivist methods (theatre scholar and performance maker Nia Witherspoon, for instance, has ...
By the late 1970s, with viewership for the Super Bowl nearly double what it had been 10 years earlier, halftime shows had started to shift away from the marching-band-centric college football model.
Today, choreography must impose some kind of order on the performance, within the three dimensions of space, the fourth dimension of time, and the capabilities of the human body. [2] In the performing arts, choreography applies to human movement and form. In dance, choreography is also known as dance choreography or dance composition.