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Dos guitarras flamencas en América Latina (Two Flamenco Guitars in Latin America) is the second of four collaboration albums by Paco de Lucía and Ramón de Algeciras. Track listing [ edit ]
Dos guitarras flamencas en stereo (Two Flamenco Guitars in Stereo) is the first of three collaborative albums between Paco de Lucía & Ricardo Modrego. The two had met while working for José Greco, a talent agent and flamenco dancer, and had composed most of the pieces while touring around the world with him. When they finally returned to ...
Tauromagia is considered by many in the flamenco community to be the finest flamenco album of all time. [4] [5] The website Flamenco-world.com said "Tauromagia is the most outstanding conceptual work that Flamenco has given us." [2] La Sonanta said " “Tauromagia” is actually a milestone in the history of flamenco and hence timeless and ...
The Rough Guide to Flamenco is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, [1] the album gives broad coverage to the flamenco genre of Spain. The compilation was produced by Phil Stanton, co-founder of the World Music Network. Liner notes were written by Tom Andrews. [2]
His music blends Spanish guitar scales with flamenco improvisation, Latin jazz rhythms, and classical elements. Several of Armik's albums have reached Billboard ' s Top New Age Albums chart. [2] [3] [4] Born in Iran of Armenian descent, Armik showed an early talent for music.
José Fernández Torres (born Fondón, 1958), known professionally as Tomatito, is a Spanish roma flamenco guitarist and composer. Having started his career accompanying famed flamenco singer Camarón de la Isla (with Paco de Lucía), he has made a number of collaborative albums and six solo albums, two of which have won Latin Grammy Awards.
Despite the title, the album is not a traditional flamenco album.. Stevens reported drawing inspiration from noted flamenco player Paco de Lucía after seeing him play live. . The album features acoustic Spanish guitar but also departs from the flamenco genre by including electric guitar, drum and bass loops, electronics, ambient sounds and midi ge
Whereas the second half of the CD is a more or less random collection of songs, the first half of the record comprises a surprising series of songs which are broken in two parts: in the first part of the song, Morente's voice is superimposed on top of old 78 r.p.m recordings of old masters of the flamenco guitar like Ramón Montoya, Sabicas or ...