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1200–1300 in European fashion. 13th century clothing featured long, belted tunics with various styles of surcoats or mantle in various styles. The man on the right wears a gardcorps, and the one on the left a Jewish hat. Women wore linen headdresses or wimples and veils, c. 1250.
Incroyables and merveilleuses. The Incroyables (French: [ɛ̃kʁwajabl], "incredibles") and their female counterparts, the Merveilleuses (French: [mɛʁvɛjøz], "marvelous women"), were members of a fashionable aristocratic subculture in Paris during the French Directory (1795–1799). Whether as catharsis or in a need to reconnect with other ...
This lady wears a mannish top hat for riding and carries her riding crop. Self-portrait of Rose Adélaïde Ducreux with harp. 1791 illustration of woman playing with an early form of yo-yo (or "bandalore") shows slight bust draping, which in more extreme form became the "pouter pigeon" look. Illustration of women's fashion from 1792
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
The Welsh traditional costume (Welsh: Gwisg Gymreig draddodiadol) was worn by rural women in Wales. It was identified as being different from that worn by the rural women of England by many of the English visitors who toured Wales during the late 18th and early 19th centuries. It is very likely that what they wore was a survival of a pan ...
Irene Langhorne. . (m. 1895) . Charles Dana Gibson (September 14, 1867 – December 23, 1944) [1] was an American illustrator who created the Gibson Girl, an iconic representation of the beautiful and independent American woman at the turn of the 20th century.