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Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2]
Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major has an F in its key signature, making it impractical to use. A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major.
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2][3][4] creating an augmented second between the sixth and seventh degrees. Thus, a harmonic minor scale is represented by the following notation: A harmonic minor ...
A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: Because of this, the key of A minor is called the relative minor of C major.
Relative key. In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative ...
Mozart's only composition in this key is the second movement to his Piano Concerto No. 23 in A major. [1] F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats.
Anhemitonic scale. Min'yō scale on D, [ 1] equivalent to yo scale on C, [ 2] an anhemitonic scale. Miyako-bushi scale on D, equivalent to in scale on D, [ 3] a hemitonic scale. Musicology commonly classifies scales as either hemitonic or anhemitonic. Hemitonic scales contain one or more semitones, while anhemitonic scales do not contain semitones.
E minor is a minor scale based on E, consisting of the pitches E, F ♯, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major. [1] The E natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.