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[6]: 203 The planet Venus was believed to be Inanna, the goddess of love, sex, and war. [9]: 108–109 [6]: 203 The Sun was her brother Utu, the god of justice, [6]: 203 and the Moon was their father Nanna. [6]: 203 Ordinary mortals could not go to the heavens because it was the abode of the gods alone. [10]
Sefirot (/ s f ɪ ˈ r oʊ t, ˈ s f ɪr oʊ t /; Hebrew: סְפִירוֹת, romanized: səp̄īrōṯ, plural of Koinē Greek: σφαῖρα, lit. 'sphere' [1]), [2] meaning emanations, are the 10 attributes/emanations in Kabbalah, [3] through which Ein Sof ("infinite space") reveals itself and continuously creates both the physical realm and the seder hishtalshelut (the chained descent of ...
The ancient astronomy taught that above the seven planetary spheres was an eighth, the sphere of the fixed stars (Clem. Alex. Strom. iv. 25 , xxv. p. 636: see also his quotation, v. 11 , p. 692, of a mention of the fifth heaven in apocryphal writings ascribed to Zephaniah ).
The nine spheres are concentric, as in the standard medieval geocentric model of cosmology, [1] which was derived from Ptolemy. The Empyrean is non-material. As with his Purgatory, the structure of Dante's Heaven is therefore of the form 9+1=10, with one of the ten regions different in nature from the other nine.
These usually represent different kinds of moral values, electric charges, or types of ceremonial magic. [7] The sefirot are the ten spheres on the Tree of Life. Each sefirah (singular of sefirot) represents a different aspect of the Divine, as well as aspects of human consciousness and existence. These are, from top to bottom: [14] Keter (crown)
Plato and Aristotle taught that the stars were composed of a type of matter different from the four earthly (classical) elements – a fifth, ethereal element or quintessence. In the "astral mysticism" of the classical world the human psyche was composed of the same material, thus accounting for the influence of the stars upon human affairs.
Svarga is a set of celestial worlds located on and above Mount Meru, where those who had led righteous lives by adhering to the scriptures delight in pleasures, before their next birth on earth.
Musica universalis was a traditional philosophical metaphor that was taught in the quadrivium, and was often called the "music of the spheres." Kepler was intrigued by this idea while he sought explanation for a rational arrangement of the heavenly bodies. [ 5 ]