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In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
The painting is a two-figure composition of a life-size scale, with Mary Magdalene positioned on the left and Jesus Christ on the right. The painting depicts the moment when, according to the Gospel narrative, Mary Magdalene recognises the resurrected Christ. With a gesture of his right hand, Christ stops her impulse to touch him, saying, "Do ...
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
Jesus driving the money-changers out of the Temple: to the right of the entry of Jesus, under a double arch 3. Judas betrays Jesus to the High Priests: down and to the left from the temple scene, in a narrow candle-lit archway 4. The Last Supper: to the left of the betrayal, in a building with a pitched roof 5. Prayer in the Garden of Gethsemane
Resurrection of Jesus in Christian art; A. An Allegory of the Old and New Testaments; B. Resurrection of Christ (Bellini) Resurrection of Christ (Bermejo) C.
The painting depicts a parable of spiritual life, the miracle of the hardened sinner receiving first grace (sorrow for sins committed in order to seek penitence and redemption). [1] Rembrandt used chiaroscuro (contrasts of light and dark) in this painting, with the dark interior of the burial cave and the limited torchlight focusing the ...