Search results
Results From The WOW.Com Content Network
Dungeon: A room or area containing BDSM equipment and space for scenes. [28] Edgeplay: Higher risk activity, physically and/or emotionally. Because the definition of edgeplay is subjective to the specific players (i.e., what is risky for one person may not be as risky for another), there is not a universal list of what is included in edgeplay.
Paraphilias are sexual interests in objects, situations, or individuals that are atypical. The American Psychiatric Association, in its Diagnostic and Statistical Manual, Fifth Edition (DSM), draws a distinction between paraphilias (which it describes as atypical sexual interests) and paraphilic disorders (which additionally require the experience of distress, impairment in functioning, and/or ...
The handkerchief code (also known as the hanky/hankie code, the bandana/bandanna code, and flagging) [1] is a system of color-coded cloth handkerchief or bandanas for non-verbally communicating one's interests in sexual activities and fetishes.
"You Really Got Me" was written by Ray Davies, the Kinks' vocalist and main songwriter, sometime between 9 and 12 March 1964. [4] Created on the piano in the front room of the Davies' home, the song was stylistically very different from the finished product, being much lighter and somewhat jazz-oriented. [4]
Once the text, picture, or video is sent and out of your hands, it’s out of your control. “If someone shares your intimate photos without your consent, this is not your fault,” Meropol explains.
"Last of the Steam-Powered Trains" [nb 1] is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies , the song was recorded in October 1968 and was among the final tracks completed for the album.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with " Tired of Waiting for You ", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, " I Need You ", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound.
In the UK, The Kinks' previous two singles had failed to chart. "Victoria" was released as the third and final single from the album in December (backed with "Mr. Churchill Says"), returning them to the UK Singles Chart, reaching a peak of No. 33. In Canada, the song was a hit in the greater Toronto area, reaching No. 9 on the CHUM Top 30 on 21 ...