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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Portrait of Pittoni by Bartolomeo Nazari Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Venetian painter of the late Baroque or Rococo period. [ 1 ] He was among the founders of the Academy of Fine Arts of Venice , of which in 1758 he became the second president, succeeding Tiepolo .
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
Alexander Roslin (spelled Alexandre in French, pronounced [alɛksɑ̃dʁ ʁɔslɛ̃]; 15 July 1718 – 5 July 1793) was a Swedish painter who worked in Scania, Bayreuth, Paris, Italy, Warsaw and St. Petersburg, primarily for members of aristocratic families.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Jean-Baptiste Lemoyne (French pronunciation: [ʒɑ̃ batist ləmwan]; 15 February 1704 – 25 May 1778) was a French sculptor of the 18th century who worked in both the rococo and neoclassical style. He made monumental statuary for the Gardens of Versailles but was best known for his expressive portrait busts.
Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire. Jacopo Amigoni (c. 1685 – September 1752), [1] also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.