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Aesthetic Realism is a philosophy founded in 1941 by the American poet and critic Eli Siegel (1902–1978). [1] He defined it as a three-part study: "[T]hese three divisions can be described as: One, Liking the world; Two, The opposites; Three, The meaning of contempt."
The term "International Style" was first used in 1932 by the historian Henry-Russell Hitchcock and architect Philip Johnson to describe a movement among European architects in the 1920s that was distinguished by three key design principles: (1) "Architecture as volume – thin planes or surfaces create the building’s form, as opposed to a solid mass"; (2) "Regularity in the facade, as ...
The earliest editors (designed for teleprinter terminals) provided keyboard commands to delineate a contiguous region of text, then delete or move it. Since moving a region of text requires first removing it from its initial location and then inserting it into its new location, various schemes had to be invented to allow for this multi-step process to be specified by the user.
Project for an Isaac Newton memorial by Étienne-Louis Boullée.. The name Rationalism is retroactively applied to a movement in architecture that came about during the Age of Enlightenment (more specifically, Neoclassicism), arguing that architecture's intellectual base is primarily in science as opposed to reverence for and emulation of archaic traditions and beliefs.
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
The aesthetic may convey moods of eeriness, surrealness, nostalgia, or sadness, and elicit responses of both comfort and unease. [5] This image depicting an empty playground may elicit unease by being stripped of its expected context (that is, the presence of children).
Wagner declared his intention to express the function of the building in its exterior. The reinforced concrete exterior was covered with plaques of marble attached with bolts of polished aluminum. The interior was purely functional and spare, a large open space of steel, glass, and concrete where the only decoration was the structure itself. [18]
Villa Göth (1950) in Kåbo, Uppsala, Sweden."New Brutalism" was used for the first time to describe this house. The term nybrutalism (new brutalism) [19] was coined by the Swedish architect Hans Asplund to describe Villa Göth, a modern brick home in Uppsala, designed in January 1950 [11] by his contemporaries Bengt Edman and Lennart Holm. [12]