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Later in the 17th and 18th centuries, English writing masters including George Bickham, George Shelley and Charles Snell helped to propagate Round Hand's popularity, so that by the mid-18th century the Round Hand style had spread across Europe and crossed the Atlantic to North America.
It appeared in France at the end of the 16th century, growing out from a late local variant of Gothic cursive influenced by North Italian Renaissance types in Rotunda, a bookish round Gothic style, as well as Civilité, also a late French variant of Gothic cursive. It was popularized by writing masters such as Louis Barbedor in the 17th century.
Kurrent (German: [kʊˈʁɛnt]) is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift ("cursive script"), deutsche Schrift ("German script"), and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
Cursive handwriting from the 19th-century US. In both the British Empire and the United States in the 18th and 19th centuries, before the typewriter, professionals ...
By the eighteenth century, schools were established to teach penmanship techniques from master penmen, especially in England and the United States. [16] Penmanship became part of the curriculum in American schools by the early 1900s, rather than just reserved for specialty schools teaching adults penmanship as a professional skill.
Court hand: alphabet (upper-cases and lower-cases) and some syllable abbreviations. Court hand (also common law hand, Anglicana, cursiva antiquior, and charter hand [1]) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks.
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes.