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Sum 41 singles chronology "Fake My Own Death" (2016) "War" (2016) ... The song was released as a single, along with accompanying music video, on August 25, 2016, ...
The music video starts out with the band members in a car, everyone but Whibley exits, and he starts singing. The video also features reverse editing of people doing various things, such as accidentally dropping groceries, with shots of the band in between, in the end of the video soldiers rush people away from doing mundane things such as grilling steak and sitting on a couch, while the rest ...
The music video for "See Tình" was directed by Kawaii Tuấn Anh and written by Minh Châu. [ 6 ] [ 12 ] The video's fashion stylist was Hoàng Ku. [ 6 ] [ 8 ] [ 13 ] The video narratively follows the video for "Gieo Quẻ", the first single from the album Link , which was released on 1 January 2022.
Drummer Steve Jocz stated that they wanted a semi-serious video. "The song is about a relationship, but not necessarily one with a girl. Maybe you're better left alone — fuck everybody else". The last single [We're All to Blame] was a pretty serious song, too, but we wanted to offset it with a funny video. With this one, we don't want it to ...
"Said Sum" is a song by American rapper Moneybagg Yo, released on June 30, 2020. It serves as the lead single from Moneybagg Yo’s collaborative mixtape with Blac Youngsta , Code Red . It was produced by frequent Moneybagg producer, TurnMeUpYC.
"Never There" is a song by Canadian rock band Sum 41, written by Deryck Whibley. It was released as the third single from the album Order in Decline on June 18, 2019, [ 3 ] a week after the release of the album's second single, "A Death in the Family".
An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.