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Exile on Main St. is the tenth studio album by the English rock band the Rolling Stones, released on 12 May 1972, by Rolling Stones Records. [3] The 10th released in the UK and 12th in the US, it is viewed as a culmination of a string of the band's most critically successful albums, following Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971). [4]
Exile on Main St. Jagger/Richards Jagger "Road Runner" 1963 2012 GRRR! (Super Deluxe) Bo Diddley: Jagger "Rock and a Hard Place" 1989 1989 Steel Wheels: Jagger/Richards Jagger "Rock Me Baby" (live) 2002 2004 Live Licks: B.B. King/Joe Bihari: Jagger "Rocks Off" 1971 1972 Exile on Main St. Jagger/Richards Jagger "Roll Over Beethoven" (live) 1963 ...
The song has been covered multiple times in concert by Phish, the first time on 31 October 2009 when the band covered the entirety of Exile on Main Street as part of its musical costume. Elton John also performed the song live for 'Peace One Day' on 21 September 2012, and is a well-known Stones fan.
To celebrate the Rolling stones' 55th anniversary we take on the daunting task of ranking their entire discography. Here are the best Rolling Stones albums from Mick Jagger, Keith Richards ...
"Plundered My Soul" is a song by the English rock band the Rolling Stones, featured as a bonus track on the 2010 re-release of their 1972 album Exile on Main St.. It was the first song released by the band from the new recordings, limited-edition copies of the single shelved in independent stores on 17 April 2010, in honor of Record Store Day.
"Rip This Joint" is the second song on the Rolling Stones' classic 1972 album Exile on Main St. Written by Mick Jagger and Keith Richards, "Rip This Joint" is one of the fastest songs in the Stones' catalogue, with a pronounced rockabilly feel. Jagger's breakneck delivery of the song's lines spells out a rambling tale set across America from ...
"Torn and Frayed" is a song by the Rolling Stones that appears on their 1972 album Exile on Main St. Written by Mick Jagger and Keith Richards. In his review of the song, Bill Janovitz called it "a twangy, three-chord honky tonk, but not typically country", and said, "The progression of the chords brings gospel music to mind".
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